Studios and filmmakers are lining up new literary and screen projects across Hollywood, from historical epics to small-screen capers.
Twentieth Century Fox and James Cameron’s Lightstorm Entertainment have secured an option on Steven Pressfield’s forthcoming novel Last of the Amazons, a tale of lethal female warriors who nearly conquer ancient Greece.
The book, due from Doubleday in June, explores a tribe of women hunters who shun men except for breeding — a premise that echoes the strong-woman themes familiar in Cameron’s oeuvre.
Cameron, who has not announced a directing follow-up to Titanic, is attached through Lightstorm; executives Jon Landau and Curtis Burch led the company’s efforts on the deal.
Pressfield, represented by Hotchkiss & Associates, may adapt his own novel for the screen. He previously penned the first draft of The Legend of Bagger Vance and is the author of Gates of Fire, the Thermopylae epic now set up at Universal with Michael Mann directing, a screenplay by David Self, and producers George Clooney and Robert Lawrence.
Actor news: Jason Isaacs, fresh off villain turns in The Patriot and Black Hawk Down, is in negotiations to portray Lucius Malfoy in Warner Bros.’ Harry Potter and the Chamber of Secrets.
The production is shooting in England, convenient timing as Isaacs’ wife Emma is expecting their first child in March, and he’s expected to return for the series’ fourth installment.
Tom Cruise has stepped back from talks to lead the Miramax/MGM adaptation of Charles Frazier’s Cold Mountain.
Although his involvement had been widely reported, the actor was never officially attached; Anthony Minghella remains set to direct later this year.
Several projects look poised for quick greenlights and starts.
Chris Rock is preparing to make his directing debut with Head of State, a comedy he co-wrote with Ali LeRoi in which he would also star as a presidential hopeful.
Phoenix Pictures is shopping a Milos Forman picture based on Donald Westlake’s Bad News — a comic heist about a career thief attempting to seize an Indian gambling casino. Once at Warner Bros., the project is back in play as Phoenix chairman Mike Medavoy talks with multiple studios; Doug Wright has delivered a script and production could begin in April.
Meanwhile, Westlake’s most famous creation, Parker (written under the Richard Stark pseudonym), has been picked up for a television series development at FX.
Network president Kevin Reilly commissioned a pilot and the show was set up through Fireworks with producers Dylan Sellers and Tom Lassally.
Alexander Ignon (credited on Ransom) is penning the pilot, with Steve Norrington attached to direct; Westlake has endorsed Ignon’s approach.
This Parker adaptation will be an original caper constructed like a serialized crime drama — in the spirit of The Sopranos and Heat — where a single, enormous heist is plotted and executed over a season.
Endeavor has added director Michael Caton-Jones to its roster.
Caton-Jones recently finished the Warner Bros. drama City by the Sea starring Robert De Niro, and his résumé includes Rob Roy, This Boy’s Life and Scandal.
His next project is an adaptation of Alan Warner’s novel The Sopranos (distinct from HBO’s series).
At Summit Entertainment, writer-producer Simon Kinberg has set Mr. and Mrs. Smith, a project he developed into a package with New Regency.
Described as a blend of The War of the Roses and True Lies — a couple grows closer while fleeing a coup in Colombia — the film was shepherded by Kinberg with producer Akiva Goldsman and Summit executive Patrick Wachsberger.
Kinberg is finishing a modest rewrite; New Regency will handle most territories while Summit retains rights in others.
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